Ashmead Bows

Maker of Historical Bows

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    • Baroque – Violin
      • Cello/Bass Viol
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      • Viola
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    • Modern – Violin
      • Cello
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Marco Serino

Dear Ralph, your bow has arrived safe! Thanks a lot, it’s beautiful, exactly as I wanted … You have read my thoughts! Today I spent the afternoon to try and seems made for my Pietro Guarneri … thanks really!

Marco Serino

Kei Yamamoto

Thank you for the wonderful bow!

With the bow you made, I can pronounce the sound very clearly and I can make sound exactly same as I intend to make, I love the bow very much.

Also I don’t need much power to make resonant sound, I can do it with little power, that’s very nice for me too. I’ll play with it with great care and with great happiness. Thank you again for this supreme bow.

Kei Yamamoto

Mishina Ueno

Yes! Day before yesterday I received your wonderful bow.

Thank you very very much!! It’s so beautiful and powerful. I really love it!! Next month, I will play with the bow at the concert at once. You make me so happy!!

Thanks with all my heart.

Mishina Ueno

Nick Robinson

I had the good fortune this weekend to be playing with Elin Gabrielssohn who had two bows of yours on trial. She has, as you will probably know by now, decided to buy one of them: I should like to buy the other.

I had, of course, seen a lot of your work – Enrico Onofri, Claudia Combs, Stanley Ritchie and others all use your bows…, but as I have always been happy with my Italian Ghirardelli, I never really considered looking for anything else.

I played for 20 minutes with the bow that Elin ‘didn’t’ want and I was taken.

Nick Robinson

Sukeyuki

The bow arrived today in safe condition, very earlier than ups scheduled date. At once, I tried it to play Abel, Bach and Telemann in finest sounds. I’m satisfied with excellent balance and whippiness for the weight of the bow and rich full tone. I do not have any thinking to return it. It will surely be one of my best favorite friends of music.

Sukeyuki

Lorraine Glass-Harris

As early music ideas are becoming more mainstream, I am using your bow more often in the orchestra with my modern violin. In particular, last week for Beethoven #3 and this week for Beethoven #5! As conductors are taking Beethoven’s audacious tempo markings more literally, your bow allows me to play the fleet tempi with ease. Also terrific for later Baroque work, Mozart Opera, and Oratorios. It has literally been a career saver.

Whenever I can, I encourage colleagues to try my bow, to show them how they can maximize their efforts while protecting their arm.

Lorraine Glass-Harris
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Ralph Ashmead

Ralph Ashmead

Praise for Ashmead Bows

As early music ideas are becoming more mainstream, I am using your bow more often in the orchestra with my modern violin. In particular, last week for Beethoven #3 and this week for Beethoven #5! As conductors are taking Beethoven’s audacious tempo markings more literally, your bow allows me to
…
As early music ideas are becoming more mainstream, I am using your bow more often in the orchestra with my modern violin. In particular, last week for Beethoven #3 and this week for Beethoven #5! As conductors are taking Beethoven’s audacious tempo markings more literally, your bow allows me to play the fleet tempi with ease. Also terrific for later Baroque work, Mozart Opera, and Oratorios. It has literally been a career saver.
Whenever I can, I encourage colleagues to try my bow, to show them how they can maximize their efforts while protecting their arm.

Read more “Lorraine Glass-Harris”

Lorraine Glass-Harris

Contact

Ralph Ashmead
P.O. Box 1411
Tuolumne, CA 95379
1.209.928.1272
ashmead@frontiernet.net

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